Mother Leopard, Kenya
A mother leopard rests in a tree while her cub sits on the ground below her. If you look closely, you will see she has at least three engorged ticks on her face. Her cub has at least one on its face as well.
This site is dedicated to wildlife and landscape photography.
This site is dedicated to wildlife and landscape photography.
This site is dedicated to wildlife and landscape photography.
A mother leopard rests in a tree while her cub sits on the ground below her. If you look closely, you will see she has at least three engorged ticks on her face. Her cub has at least one on its face as well.
I posted this photo a while ago. The sun was setting and, while the color of the vegetation looked great, the leopard’s coat looked “off” color-wise. So, I’ve re-worked it.
I photographed this leopard just as she was coming out of an area of trees and thick brush. A river runs through it. Of the three females and one male leopard I photographed in my eight days in the Ol Kinyei and Olare Motorogi Conservancies, she was my favorite because she gave me the most opportunities for photographing a leopard. My guide, George Letoluo, and I followed her as she walked along the river on the outer edge of the vegetation and, after a while, she re-entered the vegetation. Fortunately, it was more open than where we first spotted her. At that point she stopped for several minutes and posed, beautifully, on a fallen tree. It was one of the best photo ops I’ve ever had. George later told me they call her “Kini” which means small in Swahili.
As I looked at this photo I remembered that some leopards have blue eyes. I saw a TV nature show that had a blue-eyed leopard in it. Then I got to thinking, how would this leopard look with blue eyes? So, I decided to see. First, I had to get on the internet and see exactly what shade or hue of blue those blue-eyed leopards have. Then, I had to refresh my memory on how to change colors in Photoshop. Another trip to the internet. There are a few different ways to do it. Each has its strengths and weaknesses. The one I chose is Hue/Saturation. It’s fairly simple and in case anyone is interested, here’s how it works.
CHANGING A COLOR IN A PHOTO
First, click on the black and white “cookie” at the bottom of the layers panel in photoshop and then click on Hue/Saturation.
Second, in H/S click on “Master” in the drop-down menu and choose a color below it that seems closest to the color you want to change. For the leopard’s eyes I chose yellow. Master is not a choice as it changes all colors at once.
Third, grab the left-most eyedropper in H/S and click once on the color you want to change, namely the leopard’s golden eyes in my case.
Fourth, now move the hue slider with your mouse. Go slow or you’ll go past the color you want. When you do that notice how it affects the two parallel color bars. The top bar reflects the color you want to change, and the lower one the color you want the current color to change to. In my case yellow and blue respectively. I wish Adobe would allow using the arrow keys to move the slider in small increments.
Fifth, you’re almost done. But you will probably notice that you have affected some other areas of your photo with your new color. Several spots in my leopard photo turned somewhat blue. If so, grab the brush tool from the tool panel (or tap the “b” key) and paint with black over the photo where you don’t want your replacement color showing. If nothing is happening, make sure that in your tools panel that black is the top color, not white. The quick way to go from black to white and white to black is by tapping the “x” key. Sometimes that new color will be very subtle, so it’s best to paint over every square inch of the photo, except where you want your chosen color to show. (Confession: after I finished, I noticed I missed painting a faint blue area under her right jaw with black.)
That’s all there is to it. The thing I like most about it is that with Hue/Saturation, unlike some other methods, you don’t have to fuss with little corrections of what is selected like I always have to do when using the object selection or quick selection tools. I’ve sometimes wondered if a pen tablet or pen display would make that fussy work easier.
Anyway, without further ado, here’s my blue-eyed leopard.
I posted a photo of this leopard last June with its head pointed in the direction of the camera. I tend to prefer portraits of animals showing both eyes, but I like this profile pose, so here it is. It was taken as the sun was setting.
Like most nature photographers, my favorite times to photograph nature are those two hours or so centered on sunrise and sunset. If there are flowers to add color to the scene, so much the better. So, I was happy when this female leopard stopped in this setting for a moment.
It was 6:33pm, one minute after sunset, when I took this photo.
To finish the story I started a week or so ago, after those great four days with Gamewatchers Safaris in the Ol Kinyei Conservancy just north of the Maasai Mara Reserve, I spent the next four days at Gamewatchers’ Porini Lion Camp in the Olare Motorogi Conservancy. As the name implies, there are a lot of lions in the conservancy where Gamewatchers’ Porini Lion Camp is located. They were easy to find and photograph. I also saw and photographed leopards on two of the four days and saw and photographed cheetahs every day. Like during my previous four days in the Ol Kinyei Conservancy, I had an excellent guide in Nelson Keiwua. With us every day was Nelson’s spotter, John Tompoi. I think I’m pretty good at spotting wildlife, but Nelson and John are in another league.
It was hard deciding on a photo here, but I finally decided on this cheetah mom who had three cubs. I spent a fair amount of time photographing her and, especially, her three rambunctious cubs. I already want to go back.
I’ve just returned from a fantastic 8-day photo safari on lands just outside the famed Maasai Mara Reserve in Kenya. I photographed this leopard along a tree-lined stream in the Ol Kinyea Conservancy. Ol Kinyea is one of 16 conservancies adjacent to the north border of the Reserve. The conservancies are the result of agreements between Masai landowners and safari companies and others interested in increasing wildlife habitat by removing agricultural use of the lands and managing them to benefit wildlife, instead of livestock and crops. The landowners are paid for this conversion of their lands back to nature, plus the Masai make up almost 100% of the people who run the camps from the camp manager down through the guides and all the other staff.
I booked my safari with Gamewatchers Safaris which is one of the pioneers of the conservancy idea. I stayed in what they call their Porini Mara Camp in the Ol Kinyea Conservancy for the first four days. My guide was George Letoluo. George was an excellent guide. He got me to the spot where I took this photo like he knew the leopard would stop and pose at this fallen tree.
I went to Kenya primarily to photograph the three big cats and there wasn’t a day George didn’t get me at least two of the three big cats. One of the plusses about the conservancy lands is that camp guests are few compared to the crowded national parks and staying on roads is not required like it is in Serengeti National Park and the Maasai Mara Reserve. I was in Serengeti in 2018 and saw only about 10% of the cats that I saw on this trip.
After my four days at the Porini Mara Camp, I went to Gamewatchers Lion Camp in the Olare Motorogi Conservancy for four more incredible days. They don’t call it Lion Camp without reason. But that’s a story for another day. All told, I shot 20,000 photos. At 50MB per shot, that’s 1TB in total.